Retro photo converter

Halftone /
Newspaper Converter

Dot · Square · Diamond · Cross Screen Angle 0–90° Floyd-Steinberg Atkinson Bayer 2×2 / 4×4 / 8×8 4 Paper Tones

Reproduce the classic newspaper dot-screen printing process. Halftone breaks images into dots — larger dots for darker areas, smaller dots for lighter areas — tricking the eye into seeing continuous tone from pure ink on paper.

Open Halftone Converter

Controls & options

Paper tones

White
Off-white
Newsprint
Aged newsprint
Open Halftone Converter

Conversion examples

Red house — original photo
Before
Red house converted to newspaper halftone
Halftone converted
DMZ landscape — original photo
Before
DMZ landscape converted to halftone newsprint
Halftone converted
Car in Vermont — original photo
Before
Car converted to halftone white newsprint
Halftone converted
Open Halftone Converter

How halftone printing works

Traditional printing can only put ink down or leave paper bare — there is no grey, only black dots on white paper. Halftone solves this by varying the size of dots rather than their colour. A dark area is covered with large dots that run nearly edge to edge; a light area has tiny dots with wide gaps between them. Viewed at reading distance, your eye averages the ink coverage and perceives a continuous tonal gradient.

Newspapers used a physical halftone screen — a glass plate with a grid of holes — placed between the photograph and the film during photographic reproduction. The screen broke the continuous-tone image into a grid of dots scaled by light intensity. Modern digital halftone does the same calculation in software, sampling each cell of the screen and placing a dot proportional to the average darkness of that cell.

The screen angle matters because rotating the dot grid by 45° makes the pattern much less visible to the eye at normal reading distance. At 0° the grid structure is obvious; at 45° the diagonal arrangement breaks up the regularity just enough that the dots read as tone rather than pattern.